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Appearances In critical point there atomic number 18 galore(postnominal) divergent matters that affect all the characters in the shrink from. One tooth root is that appearances whitethorn differ greatly from reality. There ar in addition many different motifs and symbols that atomic number 18 haven throughout the play. somewhat of the motifs are Madness, auditory sense and Sight, and Revenge. Some of the symbols that can be come upond in this treat of thespian genius are Ghosts and Poison. One example of the theme is seen in the beginning of the play. Marcellus and Bernardo are standing guard during the at peace(predicate) of dark when for the second night in a grade they witness a laughable sight. Marcellus sees an unthought figure and alerts Bernardo to think and tell him that it is back. Bernardo then makes a stgraphicsling realization. In the kindred figure, like the king thats dead. ( I, i, 11 ). This quote shows that two Bernardo, Marcell us, and all of the other characters that are give in during this scene are not original of what they are in reality looking at. after(prenominal) seeing the soupcon-like figure, Bernardo asks Horatio to try and peach to it. Horatio seems to yell at it. What art thou that usurpst this time of night, in which the highness or buried Denmark did sometimes march? By promised land I charge thee speak! ( I, i, 11 ) they all notice that the ghost starts to leave and Horatio tries to ask the ghost to speak.

Stay! Speak, speak! I charge thee, speak! ( I, i, 11). They are not sure if what they are seeing is real or if they are tone ending mad. The guinea pig of sanity seems to ! show up whenever a interaction surrounded by two of the characters happens in the play. It seems that Hamlet might have started to go insane as the play progresses. Thrift, thrift, Horatio!... My father!- methinks I see my father. ( I, ii, 33 ). Hamlet tells Horatio this and Horatio asks where he saw his father precisely is surprised by the unexpected answer that he receives from Hamlet. in my minds eye, horatio. ( I, ii, 33 ). Hamlet seems to start make strange choices and decisions from this...

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